(Detroit Studies in Music Bibliography, Number Forty-Nine) by Nicholas Temperley; Charles G. Manns. S. 495–511, Greta Olson, Rosa Isusi Fagoaga: The Music Archive And Library At The Real Colegio-Seminario De Corpus Christi (Valencia). S. 100–114, Susanne Staral: Musikwissenschaftliche Publikationen In Deutschland. S. 298–301, Inger Johanne Christiansen: The National Music Collection (Norsk Musikksamling) Of The National Library Of Norway. S. 24, Hans Halm: The task of RISM in Western Germany. S. 293–295, Silvia Gonščáková: The Libraries of the Music Schools in Slovakia. S. 62–63, Review by Ann P. Basart: The Literature of American Music in Books and Folk Music Collections: a Fully Annotated Bibliography. S. 108–112, Klaus Kindler: Zur Problematik der Masi-Handschriften in der Santini-Sammlung in Münster (Westf.). (Detroit studies in music bibliography, no. Enlarged edition by Maurice Hinson; The Schoenberg Discography. Tel: +49 - (0)30 - 28 36 530 S. 430, Karl Stapleton: Prague Concert Life 1850—1881: An Annotated Database. Séance de la Société française de Musicologie: „Le Tempo dans l’exécution musicale du XVIIe et du XVIIIe siècles“ „Le Tempo dans la musique de tradition orale“. S. 204–209, Brian W. Pritchard: Documenting New Zealand’s musical past: a beginning. S. 117–131, Jens Jørgen Gjedsted: Electric Jazz. S. 89–97, James B. Coover: A Bibliography of East European Music Periodicals (II). S. 298, Klaus Keil: Internationales Quellenlexikon der Musik (RISM): Stand der Arbeit Ende 1993. S. 137, Berit Holth: Norwegian National Music Collection 80th Anniversary. S. 165, Imogen Fellinger: Music Periodicals. S. 348–351, Review by Ron Wiecki: The Letters of Gertrude Stein and Virgil Thomson: Composition as Conversation by Susan Holbrook; Thomas Dilworth. S. 379–381, Review by Sarah Dorsey: Cello Music Since 1960: A Bibliography of Solo, Chamber, & Orchestral Works for the Solo Cellist. S. 159–160, Júlia Gócza: Hungary’s Pethes Heritage in Music Librarianship. Hans Ruppe, Paule Salvan: Rôle des Bibliothèques publiques françaises dans la diffusion de la culture musicale. Second edition. (Musicology series, 4) by Carmelo Peter Comberiati. S. 49–55, Genevieve Thibault: Les Collections Privées de Livres et d’Instruments de Musique d’Autrefois et d’Aujourd’hui. S. 76–78, Rita Benton: International Commission of Research Libraries. S. 201–203, Review by John Schuster-Craig: Wagner and Venice by John W. Barker. S. 28–29, Claes M. Cnattingius: Record Libraries Commission. S. 220–222, Review by Ruthann B. McTyre: The Grove Book of Opera Singers by Laura Macy. S. 95–99, Editions Et Reeditions De Musique Moderne (XIX et XXe ss.). S. 54–55, John H. Davies: D: Paper by Helge Petersen (Copenhagen). S. 49–50, Publications à Caractère Bibliographique. S. 84–91, Éditions Et Rééditions De Musique Moderne (XIXe et XXe ss.). S. 81–82, Charlotte Van Der Pot: Music Libraries And Music Publishers, A Report. S. 88–89, Review by Bradford Lee Eden: Music and Meaning: Studies in Music History and the Neighbouring Disciplines. You don't need a million euro budget to make a good film. (Fallen Leaf reference books in music, no. S. 234–247, Taras Pavlovsky: Slavic Sacred Music: Issues In Cataloguing. S. 54, Jørgen I. Jensen: At The Boundary Between Music And Science: From Per Nørgård To Carl Nielsen. S. 101–103, Review by Janelle West: A Dictionary for the Modern Flutist by Susan J. Maclagan. (Veröffentlichungen des Ethnologischen Museums Berlin NF 74; Abt. S. 242–243, Neil Ratliff, Kirsten Maegaard, Huib Deetman, Wolfgang Rehm: BUSINESS MATTERS. S. 72, Ruth Watanabe: Commission On Libraries In Conservatories And Schools Of Music. (Unlocking the Masters No. Revised edition by Lois Phillips. S. 221–222, Review by Jean-Michel Nectoux: Four Centuries of Organ Music, from the Robertsbridge Codex through the Baroque Era, an Annotated Discography. S. 74–92, Susan Lewis Hammond: Pierre Phalèse As Music Editor: The Madrigal Anthology Musica Divina (1583). S. 41–44, Ouvrages Reçus / Eingegangene Schriften / Books And Music Received. S. 281–282, Review by Keith E. Mixter: Die Musikhandschriften aus dem Dom zu Unserer Lieben Frau in München: Thematischer Katalog. S. 67–70, Bryan R. Simms: The Historical Editions of Alexandre-Étienne Choron. S. 41–46, Erkki Salmenhaara: Writing A National Finnish Music History. S. 303–305, Nina Všetečková: The Music Information Centre of the Czech Music Fund (Czech MIC). 31 (septembre 1970). (Catalogus musicus VII) by Hartmut Schaefer. "Leif in Concert - Vol.2" is a day in Lene’s life, the day of the planned concert. S. 387–388, Erling Dujardin: Denmark: Annual Report 1993. Beschreibungen. S. 14, Anne Nenquin: Broadcasting and Orchestra Libraries Branch: Report. S. 65–66, Eva-Britt Fanger: The Danish National Bibliography of Music: Problems Connected with its Establishment. S. 131–132, Dan Fog: Sven Lunn, Kaj Schmidt-Phiseldeck, Erling Winkel in Memoriam. (Publications of the Finnish Music Library Association, volume 136, Advanced musicology, volume 1) by Esa Lilja. S. 200–206, Ludmilia Zinov’evna Korabel’nikova, Ludmila Zinov’evna Korabel’nikov: The Study Of The Music Of Expatriate Russians. Auflage = 2nd edition by Horst Leuchtmann. März. S. 44–53, Wolfgang Krueger: Online-bibliographieren in der zukünftigen musikbibliothekarischen Ausbildung in Deutschland. S. 19, Joachim Jaenecke: BIBLIOGRAPHISCHE KOMMISSION. (Detroit Studies in Music Bibliography, 67) by Diane Parr Walker; Paul Walker. S. 101–102, Nancy B. Reich: Liszt’s Variations on the March from Rossini’s Siège de Corinthe. S. 51–54, Gillian B. Anderson: Unpublished Periodical Indexes at the Library of Congress and elsewhere in the United States of America. S. 155–158, Bernard Huys: Les imprimeurs de musique à Bruxelles au XIXe siècle. Briefe des Jahres 1867 by Margret Jestremski. S. 52–55, Alla Fiodorovna Tcherkassova: The Contribution Of The Library Of The Moscow State Conservatory To The Training And Educational Process. S. 95–96. S. 71–74, Edward R. Lerner: Music Prints in the Cathedral Library of Brescia. S. 30, Rogier Starreveld: International Association of Music Information Centres (IAMIC). S. 296–298, Review by William W. Austin: Catalogue de l’oeuvre de Claude Debussy (Publications du Centre de Documentation Claude Debussy, Saint-Germain-en-Laye, III) by François Lesure. Schweizer Beiträge zur Musikforschung, Vol. S. 541–569, Owen Tam, Patrick Lo: Making The Library Opac Sing: How To Introduce Naxos Music Library Titles To Online Public Access Catalogues — The Lingnan University Library Experience. S. 393–394, Jorge García: Spain: The Published Proceedings of an International Congress on Martin y Soler. S. 81–82, Zuzana Petrášková: Czech Republic. Geburtstag. S. 314–315, Review by Barry Zaslow: The Pianist’s Dictionary by Maurice Hinson. S. 174–179, Bernard Huys: Belgian music periodicals; their national and international interest. S. 198–199, Barbara Dobbs Mackenzie: Répertoire International De Littérature Musicale (Rilm). S. 39–42, Anthony Hodges: Report Of The Commission Of Libraries In Music Teaching Institutions. S. 36–37, Heikki Poroila, Pirkko Heikkinen: Two Finnish Public Music Libraries. 29) by Paula Elliot; Linda Blair. S. 132–133, Review by Christian Meyer: Cambridge Music Manuscripts 900—1700 by Iain Fenlon. S. 16–18, William Y. Elias: Margaret Jory – In Memoriam. S. 11–16, Maria Prokopowicz: La musique imprimée de 1800 à 1831 comme source de la culture musicale polonaise de l’époque. S. 289–290, Paul van Reijen: KÖCHEL 2000: Suggestions for a New Catalogue of Mozart’s Works. S. 90–93, Øyvind Norheim: The Norwegian National Bibliography of Printed Music and its Relationship to the Legal Deposit Act. S. 189–194, Susan T. Sommer: Teaching collection development in context. S. 320–321, Review by Ralph Hartsock: Music of the Postwar Era by Don Tyler. S. 275–280, Joost van Gemert: The co-operative „Muziek Catalogus Nederland“. S. 276–278, Aurika Gergeležiu: The Publishing Scene For Music Research In Estonia. S. 149–152, Hans Spatzenegger: Entwendete Musikalien aus dem Besitz des Domchors in Salzburg. 4 by Rainer E. Lotz; Andreas Masel; Discographie der deutschen Tanzmusik, Bd. S. 653–654, Dorothea Baumann, Pia Shekhter: Switzerland. S. 332–333, Kaye Hill: Australia: Sept. 1990 – Dec. 1992. S. 136–138, COUNCIL MEETING: 8 and 13 August 1993 in Helsinki. S. 102–105, AVANT-PROPOS / VORWORT / FOREWORD. S. 207–213, Natalya Pavlovna Savkina: Some Materials Relating To Prokofiev’s Life Abroad. S. 192–194, Review by Wolfgang Marx: Musikalische Analyse und kulturgeschichtliche Kontextualisierung. Jahrhunderts. S. 428–430, Review by Geoff Thomason: Haydn, Mozart & Beethoven: Studies in the Music of the Classical Period: Essays in Honour of Alan Tyson by Sieghard Brandenburg. S. 73–75, Richard Chesser: Structure of Conferences Committee. 23 (avril 1965). S. 418–419, François Lesure: Écrits imprimés sur la musique Addenda et corrigenda. Kurt Dorfmüller: Die bauliche Einrichtung der Musiksammlung der Bayerischen Staatsbibliothek, München. S. 74–95, Editions Et Reeditions De Musique Ancienne (avant 1800). Geschichte und Wandel des Orchesterklanges. S. 424–428, Review by Brian Thompson: A History of Film Music by Mervyn Cooke. S. 72–79, Éditions Et Rééditions De Musique Moderne (Xixe Et Xxe Ss.). S. 376–377, Jutta Lambrecht: Publications Committee. S. 24–31, Chris Clark: POMPI: Popular Music Periodicals Index. S. 219–222, Review by Christian Berger: Der französische Liederzyklus von 1866 bis 1914. 1) by Herbert Schneider. S. 162–171, Erich Schwandt: Some 17th-Century French Unica in Canada: Notes for RISM. S. 304–305, Review by Thomas Brothers: Duke Ellington: Day by Day and Film by Film by Klaus Stratemann; John Coltrane: A Discography and Musical Biography. S. 112–113, Ina Albert: Die Bibliotheken der Musikhochschulen der DDR. (Catalogus Musicus. S. 198–199, Review by Jennifer Bollerman: Schubert and his World: a Biographical Dictionary by Peter Clive. Music manuscripts. Sometimes life forces us to take a turn and start on a new path. 19) by Margret Jestremski. S. 146–147, Wolfgang Krueger: National Branches. S. 161–163, Judit Skaliczki: Coming of age in the land of Bartók and Kodály The development of music departments in large public libraries in Hungary, 1978—1988. S. 217–218, Review by Mark E. Perry: Critical Essays in Popular Musicology by Allan F. Moore. S. 129–144, Laurent Guillo: L’edition Musicale En France Au Xive Siècle: État De La Recherche. S. 439–440, Review by Marcie Ray: The Era after the Baroque: Music and the Fine Arts 1750—1900 by Robert Tallant Laudon. S. 14–24, Karen E McAulay: Minstrels Of The Celtic Nations: Metaphors In Early Nineteenth-Century Celtic Song Collections. S. 35–36, Vincent H. Duckles: The Rôle Of The Public Library In Modern Musical Education. S. 255–258, Vojtech Mojžiš: Editorial Polices and the Availability of the Publications of Editio Supraphon. S. 17–24, J. H. Davies, F. Lindberg: Les Bibliotheques Musicales De La Radiodiffusion Radio Music Libraries. S. 68–69, Emilia Rassena, Emilia Rassina: Russia. S. 215, Rupert Ridgewell: Music Printing In Mozart’s Vienna: The Artaria Press. Volume 7, 1991 by Walter B. Hewlett; Eleanor Selfridge-Field. S. 138–142, Nouvelles / Nachrichten / News. S. 320, Jutta Lambrecht: Ad-hoc Committee on Electronic Fontes. S. 548–553, Berit Holth: Last, But Not Least! S. 197–202, Elaine Keillor, Mark Hand: 1986: The International Year of Canadian Music. S. 62–68, Susan M. Clegg: User Surveys and Statistics — the Opportunities for Music Libraries. S. 92, Jane Harington: The Qualifications For Conservatory Librarians. S. 209–219, James B. Coover: A Bibliography of East European Music Periodicals (I). S. 114, Jane Gottlieb: United States Of America. S. 93–99, Liste Internationale Selective No. S. 209, Review by Geoff Thomason: Antonio Salieri and Viennese Opera by John A. S. 166–174, John Shepard: Archive and Music Documentation Centres Branch. 1: Historical Survey. S. 35–39, Liste Internationale Selective No. S. 80–90, Wolfgang Steinecke: Das Kranichsteiner Musikinstitut Darmstadt. West: Jazz Books in the 1990s: An Annotated Bibliography by Janice Leslie Hochstat Greenberg. Zwei-Mann-Orchester. S. 85–94, Guidelines For The Election Of Officers Of Iaml Subject Commissions And Professional Branches Adopted By The Council On 4 September 1992 / Wahlordnung Für Die Funktionäre Der Fachgruppen Und Sachkommissionen Der Ivbm Angenommen Durch Das Direktorium Am 4. S. 205–207, Wolfgang Kreuger: Service and Training (Kommission für Dienstleistung und Ausbildung). S. 69–72, Review by Keith E. Clifton: Composing the Citizen: Music as Public Utility in Third Republic France by Jann Pasler. S. 67, Richard Andrewes: Programmes Collections And Their Organisation A Symposium. S. 141–143, Marsha Berman: Commission on Service and Training. (Repertoire Explorer: The Flemish Music Collection. S. 76–78, James B. Coover: A Bibliography of East European Music Periodicals: XI. S. 201, Michitaka Takeuchi: Kabuki Music Of The 18Th And 19Th Centuries: Documentary Materials For Research. In 2009 X Verleih AG released Weltstadt in German cinemas. S. 402–403, Eglė Elena Marčėnienė: Lithuania. S. 331–332, André Jurres: Préface / Preface / Vorwort. S. 24, Melva Peterson: Project Group on Statistics. S. 325–327, Annika Simms and Hanneke Kuiper: Public Libraries Branch. S. 236–237, Review by Ann M. Woodward: Music for Viola (Detroit Studies in Music Bibliography, 42) by Michael D. Williams. S. 97–102, Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). Bernet Kempers: Die Sigel RISM 1553 und 1553. (Contributions to the study of music and dance, 16) by Lisa de Gorog. By Alfons Ott. S. 391–420, Barbara Dobbs Mackenzie: Rilm At 40: A View From The Bridge. S. 26–29, Review by V. Fédorov: La Bibliothèque musicale américaine et le bibliothécaire musical américain en 1960. S. 49–54, Michael Fingerhut: Ircam-Moscow. II: Sångförteckning by Axel Helmer. S. 81–88, Yumiko Hasegawa: Features Of Early Printed Editions Of The Works Of Beethoven At The Kunitachi College Of Music Library. S. 70–71, David Sommerfield: Cataloguing Commission: Working Group on ISBD and Music. S. 98, Thor E. Wood: Public Libraries Commission. S. 103–104, Stanley Boorman: Identifying And Studying Published Manuscripts. S. 175–177, Review by Chris Walton: The Harvard Biographical Dictionary of Music by Don Michael Randel. S. 125, Barry S. Brook, Maria Calderisi: RIdIM. (Women Composers Series, 1) by Pirkko Moisala. Aufl. S. 178–180, Review by Stephen Long: Twentieth-Century Danish Music: An Annotated Bibliography and Research Directory. S. 198, Mari Itoh: Japan: The Japanese Branch Celebrated Its 30th Anniversary in 2009. (Composers of North America, 6) by William K. Kearns. S. 41, Frits Noske: General Secretary’s Report For The Period 1955—1959. 28.12.2020 - Erkunde asdf jkloes Pinnwand „Paula Geburtstagsfeier“ auf Pinterest. S. 305–306, Nouvelles / Nachrichten / News. S. 323–331, Julie Crawley: United Kingdom: 1992. S. 274–325, Christine E. Jackson: M & N Hanhart: printers of Victorian music covers. Presently, Christian is working on a documentary about a Berlin theatre project with homeless people titled Ratten07, and on several fictional scripts, for example: Pusteblume (”Dandelion”, a remake of the Japanese classic Tampopo), Schaustein’s Last Movie (a full feature version of his fairy tale), and Lilea Rosa (a drama about illegal organ trafficking in Moldova, for which he received a research scholarship from the Robert-Bosch-Stiftung in 2015). by Charlotte J. Frisbie. Die Berliner Philharmoniker und der Nationalsozialismus by Misha Aster; Mike Aster; Die Furtwänglers. : Observations On His 1506 Lamentationum Jeremie Prophete Liber Primus And Liber Secundus. S. 139–140, Review by Philip V. Bohlman: Quellen zur Geschichte emigrierter Musiker/Sources relating to the History of Emigré Musicians, 1933—1950. (Detroit Studies in Music Bibliography, Number Fifty) by Jane Frazier. S. 193–194, Review by John Wagstaff: General Bibliography for Music Research. A Discography. S. 42–43, Eric Cooper, Liz Hart: Public Libraries Commission. S. 78–81, H. Robert Cohen: RIPM (Répertoire international de la presse musicale). S. 303–306, Review by Emanuele Senici: Giacomo Puccini: Catalogue of the Works by Dieter Schickling; Michael Kaye. S. 104–106, John Howard Davies: The Radio Librarian and Music Documentation Techniques: Secondary Report. S. 620, Richard Chesser: Constitution Committee. S. 325–328, Geraldine E. Ostrove: Recent Publications In Music. 25 (décembre 1966). Field; Benjamin Wardhaugh. S. 177–178, Hanneke Kuiper: Public Libraries Branch. S. 39–44, Kornel Michałowski: Musikbibliographie der Zeitschriften in Polen. Series I/1 Volume 1—4. Papers and Panels of the Charles Ives Centennial Festival-Conference by H. Wiley Hitchcock; Vivian Perlis. Seventh edition revised by Nicolas Slonimsky. 26 (mai 1967). S. 417–418, Emilia Rassena, Emilia Rassina: Russia. S. 242–258, Nils Brübach: Bewertung Im Archiv. S. 36–41, Sylvia Goldstein: The Availability of Performance Materials: the Music Publisher’s Viewpoint. S. 183–184, John H. Roberts: In Memoriam Otto E. Albrecht. S. 132, Harald Heckmann, Erling Winkel, Elfriede Kamprad, E. Maschat, Rita Benton, John H. Davies, K. Schmidt-Phiseldeck, François Lesure, André Jurrès: Jahrestagung der IVMB in Aarhus — Annual Meeting of IAML at Aarhaus — Réunion annuelle de l’AIBM à Aarhus. 2) by Roger Wallis; Krister Malm. S. 169–175, Helmut Rösner: Zur Statistik der Musikbibliotheken. S. 31–38, José V. González Valle: Spanish Ecclesiastical Archives: Musical Documentation. S. 25–32, Almut Boehme: Research Libraries Branch. S. 228–231, Review by John Wagstaff: Regensburger Verlagsbuchhandlungen als Musikverlage (1850—1950). S. 161–164, Wolfgang Krueger: Deutschland: Oktober 1997-September 1998. S. 190–196, Geraldine E. Ostrove: Recent Publications In Music. (Detroit Studies in Music Bibliography, 68) by Sterling E. Murray; Music for Piano and Orchestra: An Annotated Guide. S. 28, Bernard Huys: François-Joseph Fétis. S. 51–67, Review by John Wagstaff: Opera & Song Books Published in England, 1703—1726 by David Hunter. S. 216–223, Mireille Gagné: Le Centre de la Musique canadienne au Québec Une brève description. S. 412, Nouvelles / Nachrichten / News. S. 13–22, Marie Svobodová: Music Journals in Bohemia and Moravia: 1796—1970 (Prague 1971). won the German Cinema New Talent Award for the best production. (Große Komponisten und ihre Zeit) by Siegbert Rampe. S. 198–199, Review by Christian Meyer: „Musica getutscht“. S. 117–126, Priscilla Winling: Bringing The Local Music Scene To The Public Libraries Network Of Strasbourg: A Live Collection. S. 148–153, F. W. Pauli: Die deutschen Rundfunkbibliotheken – ihre Organisation, ihre internationalen Arbeitsmöglichkeiten. S. 82, Geraint J Philp: The Internationalisation of Music Bibliography. S. 41–44, William Y. Elias: Project Group on Editing and Publishing Contemporary Music (EdPuM). S. 109–110, Alison Hall: Council Meetings: 1 And 6 September 1996 In Perugia. S. 188–189, Joachim Jaenecke: Documenta musicologica. S. 34–37, Imogen Fellinger: Project Group on Music Periodicals: Report. S. 335, Review by Andreas Vollberg: Leoš Janácek: Eine Biografie. S. 326–330, Christian Meyer: Un répertoire de luth allemand des années 1520: Kraków, Biblioteka Jagiellońska, Mus. S. 339–343, Koldo Bravo: La Création De Musikene Et La Nouvelle Structure Des Bibliothèques Des Centres D’enseignement Musical De La Communauté Autonome Du Pays Basque. S. 431–432, Review by Hartmut Walravens: Ethnomusikologie. (Fallen Leaf Reference Books in Music, 26) by Donald Homuth. (Garland Reference Library of the Humanities, 947) by John H. Beck. S. 171–174, Isabel Freire de Andrade: Portuguese Music Periodicals. Studienausgabe im Neusatz des Textes und der Noten by Johann Gottfried Walther; Friederike Ramm. S. 77–78, Liste Internationale Selective No. 6) by Richard Charteris. S. 268–278, Georgina Binns: Music Libraries In Australian Tertiary Music Teaching Institutions. John H. Davies: A: Paper by Vladimir Fédorov (Paris). 1957. S. 211–215, Chris Parker: Quartet Jazz: a view of the jazz book publishing market. S. 239–260, Review by Wolfgang Krueger: Handschriften aus deutschen Sammlungen in der Russischen Nationalbibliothek Sankt Petersburg. S. 223–226, Lucien Poirier: La Presse québécoise comme source de documentation de la vie musicale au Québec dans le dernier tiers du XVIIIe siècle. S. 140–143, Review by Philip Jane: John Mansfield Thomson : Notes towards a Biography by Margaret Clark; Jim Collinge; Martin Lodge. S. 7–9, Harald Heckmann: The RISM Central Office, Kassel. S. 152–159, Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). gestern abend hat mein werter bruder seinen 21. geburtstag nachgefeiert. S. 338–340, Review by H. Stephen Wright: Film, television and stage music on phonograph records: a discography by Steve Harris. Save Cancel. S. 314–322, Eva-Brit Fanger: Überblick Über Die Historische Entwicklung Dänischer Musikzeitschriften. S. 55, Review by Dragotin Cvetko: Une nouvelle Encyclopédie de la Musique. S. 297–300, Klaus Keil: RISM: Report for 2002. (Catalogus artis musicae in Bohemia et Moravia cultae, Artis musicae antiquioris catalogorum; 5) by Jiří Sehnal; Jitřenka Pešková. S. 111–115, Axel Meijer: Conservatory Libraries in the Netherlands. Bio-bibliographies in music, no. S. 96–98, Review by Mark DeVoto: Harvard Composers: Walter Piston and His Students, from Elliott Carter to Frederic Rzewski by Howard Pollack. S. 214–216, Joachim Jaenecke: Bundesrepublik Deutschland: 1993. S. 27–31, John Howard Davies: Entente-Cordiale G. Jean-Aubry and a Generation of Anglo French Musical Journalism in The Chesterian. S. 200–201, Review by Chris Walton: Lexikon Programmusik by Klaus Schneider; Kompendium der musikalischen Sujets: ein Werkkatalog by Alexander Reischert. S. 234–238, Review by Peter Campbell: The Soundscapes of Australia: Music, Place and Spirituality by Fiona Richards. S. 24–31, Raymond Meylan: La collection Antonio Venturi, Montecatini-Terme (Pistoia), Italie.